Перейти к основному содержанию

Braun Nizo Professional Manual

PetrVsevolodovich20 вс, 25.12.2022 - 19:03

File Name:Braun Nizo Professional Manual.pdf


ENTER SITE »»» DOWNLOAD PDF


CLICK HERE »»» BOOK READER


Size: 2089 KB
Type: PDF, ePub, eBook
Uploaded: 6 May 2019, 18:47
Rating: 4.6/5 from 839 votes.
tatus: AVAILABLE
Last checked: 5 Minutes ago!
eBook includes PDF, ePub and Kindle version
In order to read or download Braun Nizo Professional Manual ebook, you need to create a FREE account.

✔ Register a free 1 month Trial Account.
✔ Download as many books as you like (Personal use)
✔ Cancel the membership at any time if not satisfied.
✔ Join Over 80000 Happy Readers






































































Create one here. Alongside the Everything pictured is included (including the case) The manual is for a nizo professional, not an 801, but it covers all the standard features on the camera. Filming with the Nizo professional. Drive system. Drive battery and safety box. Braun NC accumulator box: an alternative accessory. Manual zoom control. The reference numbers of the controls (shown in Main Pictures) are repeated below with a brief definition of each control, followed by advice on how to start No manual is sold through this site. Samples: Download: Operating instructions. See more of Braun Nizo Professional. Braun Nizo Professional. Back. Shopping 22 Dec 2015 Snap by Hugh Brownstone: Braun Nizo S56 next to Leica IIIa: two icons ability to focus manually (I had to rely on a split image rangefinder through stabilization can be (I used plain vanilla stabilization in Final Cut Pro X) Creators are allowed to post content they produce to the platform, so long as they comply with our policies. United Kingdom. Company number 10637289. Here you'll find most of them for download, in English language as well as multilingual. The manuals for very few specific cameras were not available anymore, but the manuals from earlier, later or similar models can be used instead. Just very few minor details will differ (e.g. smaller lens, missing or an additional feature etc.) The operating instructions remain always the same. Rams and his team had a strong influence on modern product design, inspiring designers even today - as this is the case with Jonathan Ive who works for Apple. Rams's team is responsible for the look of most of the Nizo super8 cameras. Especially the silver series and the late soundcameras of Braun are unique examples of the creativeness and the design ethos 'less is more' which has given raise to the probably most beautiful super8 camera's ever. http://swampseafood.com/userfiles/brinkmann-electric-smoker-and-grill-manual.xml


braun nizo professional manual, braun nizo professional manual pdf, braun nizo professional manual download, braun nizo professional manual free, braun nizo professional manual 2016.


Alongside the professional Beaulieu-cameras, the Leicina special, the Bauer S 715 XL Microcomputer, the Nikon R10, the Canon 1014XL-S and some others it has extensive features combined in a - for the time - quite small form factor. This multi-coated masterpiece of optic precision engineering enables zoom and macro capabilities which have been superior compared to the majority of cameras available in the mid 70?s. The lens system of a Nizo professional can produce sharp and colour neutral shots with a minimal object distance of 1.5m. Objects in macro-scale can be filmed as near as 1cm, whereas the macro-range of the lens follows the final position of the wide angle scale. The minimal picture field is within 41 x 30mm.However, the Nizo professional was, compared to its rival products and as already mentioned above, built quite compactly. Braun's design department, under the chairmanship of Dieter Rams is responsible for the still attention drawing shaping of the Nizo professional and the silver family. The accessibility of the few control elements and switches is cleaned up and well aligned. But none the less,the Nizo professional features technical goodies such as the further developed time exposure. Due to a special light meter, each frame is exposed exactly the amount of time needed for the given light setting. Afterwards, the next frame is automatically brought into the picture frame and released for exposure by the light sector of the rotatable shutter. Thus, static scenes can be banned on film outstandingly without the use of any hand-held light meter, fiddling and calculations. Unfortunately, the camera is missing a frame counter, which is incomprehensible regarding the complex automatic time lapse incorporated in the Nizo professional.The battery-box used in the camera can be used in almost all of the later Nizo cameras. http://www.sportsbrothers.at/userfiles/brinkmann-fryer-manual.xml


A unique feature of the Nizo professional is the fold-able handle, which houses the batteries, and is capable of powering the camera even while back-folded. If the handle is back-folded a stable ground plate offers standard tripod mounting capabilities allowing a very sturdy fixation compared to the mounting position found on the bottom of the handle. The later one used to be very shaky due to the unstable plastic housing of the handle itself. In contrast to its model family (the S 800, S 801 and so on) the battery-pack does additionally power the build in light meter. Thus avoiding an extra battery-set of two 1,35 V Cells which are hard to find nowadays. The Nizo professional does also feature a power-supply-plug where one of Braun's supplies, such as the SRN 80 can be used to power the camera over an extended period of time. This is especially useful for long time lapse shots.And slightly better than the S 800 and the 801 macro. The sync-sound option built into the camera is definitely cool, though I'm not sure why you'd use it as this isn't really a quiet camera. The camera is also relatively lightweight. Cons: I've never really liked the design of the Nizos, they always feel kind of plastic-y and they tend to scratch and dent easily. I almost always reach for my 6080 instead of this camera. A serviced 6080 will match the Professional in image quality and is a more useful camera for live sound recording. Shows moderate wear. May have slight marks on finish. Glass very clean. May have small dings, pecks and slight finish wear. Glass may have some dust, but no marks. Shows more than average wear. May have dents, dings and a goodly amount of brassing and finish loss. Glass may have marks that should not affect picture quality. No further comments necessary. Nizo (Braun) Professional Jul 1, 2018 - If you need another format, please let us know and we may be able to arrange. Instructions for Use. Super8 Nigestione. Nizo professional. http://gbb.global/blog/3-speed-manual-transmission-identification


BRAUN Manual control of lens aperture by the spare set kept warm (for example. Nizo made some custom controls for the manual meter adjust that were made as The later cameras like the 6080 are gorgeous, professional looking works of I am shooting some examples to show how some of the special features work. There is therefore no need for any special batteries for the lightmetre (unlike the other 481, 561 800 and 801 models) Trying it is adopting it. Choose your shop: Look specifically for the models with the automatic B-function (480-801), with this function the camera exposes one frame as long as is necessary before going to the next frame. I made a stop-motion movie with a Nizo 481 from the moon going down during the night. Besides you can fully open the the shutter. Nizo S800 Take a look here for specs and more of the popular Nizo S800. Nizo features I had a few and they always broke down. Jim Morrison with probably a Nizo S560. Updated: 22 April 2020 See also: Nizo Nizo s800 Share them here. I recently got a Nizo Spezial 148 but haven't used it yet. I saw on your Nizo page you said the 148 wouldn't work with Ektachrome. Will it work with Vision 3 or any other stocks currently made. Thanks! Reply I found a few videos, for example this one. There might be more footage, so you might want to search a bit on YouTube. Reply See the first comment with replies in this video for more details: Nizo 156 and 100D (the 156 is technically the same as your 148). Reply I couldn't find much information on the camera besides a youtube video that uses 50D. I assume i'll need to manually set the exposure? Reply I can't find any manuals, but it looks similar to the 480, 560, S800 series, although the model is from 1967. It will probably read 200T as 160, so I guess you have to experiment a bit with extra stops and write down what you did and when for future reference. Also, find some YouTube videos of Nizo with 200T and read the descriptions and comments, some have excellent info. http://www.btrcontrols.com/images/braun-mr-5550-manual.pdf


I'll get back to you if I come across more info. Reply. When my camera is in the proper focus (confirmed by processed film) and the diopter is set to my eyesight, the split image is off significantly. I can still use the camera, but it would be nice to have the split image adjusted to be correct. Reply I have been looking to buy one of their super 8 cameras but they're out of stock and I can only find them on ebay. Thanks! Reply So all Nizo cameras you see for sale, are at least 35 to 50 years old. Reply The website you're looking at sells 2nd hand Nizo cameras, and is not an official Nizo website. There will be never 'new' Nizo cameras, and they are fixing old cameras:-) Reply. As you can If you don't know All cameras listed below Thanks to all who have chosen Case not included Case not included Detects cartridge notches to set ASA: Tungsten 25, 40, 64, 100, These are what most of the schools Great for Low Light Shooting. Adjustable Very solid construction with Nikon Optics. Click. The ergonomics of this camera are fantastic, and it also has a fast lens, it deals with low light conditions very well. WATCH MOTOR TEST HERE: Motor runs smooth.Clean Film compartment. Solid handle grip. Zero rust anywhere, incredibly clean and well maintained. Old grease replaced with non-petroleum synthetic lube. Shutter release smooth and responsive. Viewfinder adjusts. Lens focusing ring actuates perfectly smooth. Auto zoom works and sounds wonderful. Viewfinder is nice and clean. Works perfectly and it looks awesome too. Please look at the photographs AND VIDEO, they provide the best description.I have had this camera in my shop for about a year and didn't want to list it because I was planing on keeping it for myself, but I just got 3 more so now I can share the joy of using this one.Clean Film compartment. Shutter is smooth and responsive. Diopter adjusts. Lens focusing ring actuates perfectly smooth. Please look at the photographs AND VIDEO, they provide the best description. https://frasertechno.com/wp-content/plugins/formcraft/file-upload/server/content/files/162846586d9d64---bulova-marine-star-98c004-manual.pdf


Shipping costs include insurance and signature confirmation with NO EXCEPTIONS. I just bought the Nizo professional on ebay to start shoot super8, and hasn't used it yet. Just realized that it shoots on 25 fps instead of 24 fps I'm thinking of instead finding a Nizo 810 macro since I'm planning to edit it together with my digital footage which is 24 fps. Will I see a lot of difference beetween 24fps and 25 fps when it's super8?Anyone with recommendations or that have experience between the two. It's also the extra light meter batteries that differs, are they easy to find?Also the meter battery issues aren't an issue. Your choice for meter battery power are the expensive and short lived Wein zinc air PX625 1.4 volt batteries, or buying the specially made LR44 battery shell holder which has a resister built in to drop the voltage down nearer the required 1.35 volts. Or, you can just use the 1.5 volt batteries and use the camera mainly in manual mode. Once you know the meter deviation due to the batteries, you can still use the built in light meter, but then just manually adjust it compensating for the difference. Once you get used to it, it's pretty easy. In automatic mode though, you might suffer from under-exposure.Also, if you can find the external Braun Nizo power supply, or make one up yourself, you can power the camera that way when the handgrip is folded away, but the standard model doesn't have tripod sockets, so you'd have to make up a holder for that also. I have used both cameras, and still found the standard model to be quite steady when tripod mounted despite the socket being on the bottom of the handle. Only you can decide which is best for you, and then just sell the one you don't want.usually plenty of folks that want a NIZO out there in the Super 8 world. Hope this helps.Anyhow, the Automatic B is a nice feature and was also offered on some of the BAUER cameras. www.docutek-inc.com/upload/files/canon-eos-620-manual-pdf.pdf


This is akin to say, panning a scene and your auto-exposure darkens the sky etc because of a brighter white cloud or skyscrapper or glint off a window or rock wall on the Grand Canyon. In manual mode, you just set the time lapse interval based on the long exposure per frame you require; and the camera can be set for an exposure as long a one minute per frame. All of the ones listed above. Unless you truly need or want the Automatic-B feature, any one of those models listed will allow a long open shutter timed exposure using the time lapse function. This locks the variable shutter in the full open position.You can also set the aperture manually if you require more depth of field in the scene as well. I would set the aperture manually anyhow, since any bright stray light could cause the aperture blades to move briefly due to the light meter. I have filmed under full moon light in a courtyard using KODACHROME 40 years ago and got nice exposures. There is so much you can do with this feature, not only for a nice long exposure of a scene, but also for those nice car light streaks on highways and elsewhere. Only your imagination is the limit for many things. Good luck in your decision making and future film projects in Super 8mm!I also have a search on Bauer, found that A512 also have the long exposure, time interval, and it is 1mm wider. What do you think?You can do long exposure and time lapse quite well on the ones I stated above. The BAUER 512 is nice, and the earlier C-Royal and D-Royal models have all kinds of features as well. However.many of those due to age now may not work fully. If you find one that works fine, so be it. I still think the more servicable NIZO S-xxx might be a better option. That extra 1mm of lens width isn't enough to persuade me. IF you truly need ultra wide angle, just get one of the aux Ultra III lenses for it, or use the CANON Ultra Wide which works fine also, or any one of the other after market ultra wide lenses, quite affordable on eBay. {-Variable.fc_1_url-


I have a BOWER which is awesome, and it's also made under other names, same lens attachment. Or just buy a specific Super 8mm camera for ultra wide angle. The ELMO FS-20 is 4mm at its widest, but this is a plasticky sound camera, and so often many of their later plastic bodied models have running issues or don't work at all. Good luck in your choices, there sure are plenty.I think the price makes the distinction.Paste as plain text instead Display as a link instead Clear editor Upload or insert images from URL. Something went wrong. For parts, not working, see description. ?25.00 0 bids or Best Offer Ending Sunday at 2:50PM BST 2d 23h Got one to sell. Sell on eBay Sell Vintage Cameras User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. View cart for details. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. She had been suffering from acute cervical cancer. Fred will continue to run the business to the best of his ability. The web site is slowly getting under control againThe list is inFully automatic exposure control,Fully automatic exposure control,Reflex viewfinder with splitSound synchronisation impulseSound synchronisation impulseReflex viewfinderReflex viewfinderReflex viewfinderVariable shutter, autoSound synchronisation impulseReflex viewfinderVariable shutter, autoSound synchronisation impulseReflex viewfinderVariable shutter, autoSound synchronisation impulseFully automatic exposure control with Sound synchronisation impulse socket for Fully automatic exposure control with Sound synchronisation impulse socket for. All files below were scanned from original manuals,Includes 3-page addendum also. Last page would make a nice poster. (thanks to J.L. Seguin for the donation!). Last two pages could be posters. (thanks to J.L. Seguin for the donation!) Shows how to wire cable to connect EBM to Nagra, Stellavox, Uher and Perfectone. https://cashofferoregon.com/wp-content/plugins/formcraft/file-upload/server/content/files/1628465b293038---bulova-marine-star-98a000-manual.pdf


Good exploded views of camera components, wiring diagrams. Also has some pages for the SB, SBM, M and RX4 models. Finally, get all the facts straight on this. Press release. Great examples of 1940s graphic design. Skiing! Aerial Shots (sort of). Worth it just for the racy ad on the back cover!. Full parts lists, lots of exploded views of camera components and mechanisms. Accompanies the Repair Manual, includes instructions on how to adjust components. Super8 and 35mm products. From the 70s I think. The complete article is available on Google Books now, which is pretty amazing to me. Full color 1974 brochure with tech specs and feature list. The photos were taken by me, of the prototype unit I purchased from the creator. It may not display this or other websites correctly. You should upgrade or use an alternative browser. I'm not sure if this is appropriate but if anyone has had experience with the Nizo 801 or similar model, I have a question for you. Thanks a million everyone. Richard SweetingI need to know the which way opens and closes the aperture and its not in there.I need to know the which way opens and closes the aperture and its not in there. Click to expand. It says that the aperture indicator is visible through the viewfinder. If the aperture control doesn't move the indicator, your camera is probably toast.It says that the aperture indicator is visible through the viewfinder. If the aperture control doesn't move the indicator, your camera is probably toast. Click to expand. Unless someone comes up with a calibration for the unmarked dots of the dial. (I have not got my Nizo at hand, so I can't help.)Click to expand. On my camera, contact was made via a screw which had come loose. I was able to retighten this without too much disassembly, but it was at an awkward angle.Cameras will not expose properly without working meter. This is the case with almost every Super8 camera. These cameras have great ergonomic design, steady film gate and very good lenses. www.diversityholding.com/userfiles/files/canon-eos-60d-user-manual.pdf


well worth getting repaired. Try DuAll camera in NYC.When I was filming, all of my Canons with manual exposure would let me set the aperture on manual and told me what it was. My Beaulieus too. R8 (bought at a flea market, quickly resold) and R10 (bought, failed acceptance testing, returned) too. I looked at the 801 manual I directed the OP to, it is pretty explicit that on manual the aperture selected is displayed in the finder. If, that is, the camera is working properly. In the Canon 814E, 814 XL-E and 514 XL-E the linkage between the aperture setting knob and the aperture contained a rubber ball. When the ball perishes, there goes the ability to set the aperture manually.Always liked the compact design of the Nizo. Beaulieu also. Smallest S8 camera I have is Mini Bolex S8. No time to check cameras, but for Nizo, while the f stop can be set manually (there is a manual setting on camera ) it seems to me that the meter must be working for it to function properly. I must confess that I have never tried manual with inoperative meter and must try it sometime so you may be correct. The nice thing about Beaulieu Super8 is that film speed is set manually, independent of film cassette key. For Super8 I have always trusted the onboard meter, making slight adjustments manually if necessary. On the other hand, except for a Beaulieu R16, none of my 16 mm cameras have meters.I'm not sure if this is appropriate but if anyone has had experience with the Nizo 801 or similar model, I have a question for you. Richard Sweeting Click to expand. By continuing to use this site, you are consenting to our use of cookies. If you have a Photrio account, please log in (and select 'stay logged in') to prevent recurrence of this notice.We may receive a commission for purchases made through these links. To read our full affiliate disclosure statement please click Here. To start viewing messages,Now I'd like to sell it, however, there is not a market for Super 8 cameras in South Africa. Luckily, a friend of mine is going to New York on the 4th of August for nine months as part of a student exchange program. Nevertheless, I have managed to gain access to a PayPal account, so if anyone is interested then I will ship it from here via DHL, FedEx, etc.The camera was never used by me and has been stored in bubble-wrap in its bag since it was delivered. The manual may be found here. Included is a wide-angle lens and a remote control.Good deal considering you're throwing in the UWL type III. You may have better luck trying to sell it on ebay to a greater market. You may also wish to state if it's in working order or not. Nizo's are generally quite reliable, but with anything vintage like that, there is potential for problems. I know, because of the 50 some odd super 8 cameras I've bought over the years, about half of them had issues. vidwerk.The problem then becomes payment: PayPal doesn't recognise South Africa. Another friend of mine is studying in Boston; perhaps he can help me out in that regard.What is the operating condition, and is anything not working. How much is shipping to the US? Thanks, C. Uses 80 or 100 pack film. Adjustable viewfinder. Provenance: Thessaloniki Design Museum, Greece Condition Condition of the item is not included in this description. Condition reports are available from Wright upon request. Wright strongly recommends that you review a condition report for each item on which you plan to bid. As Seen On Shop With Confidence Since 2002, LiveAuctioneers has made exceptional items available for safe purchase in secure online auctions. Die Braun Nizo Professional galt in den 70er Jahren als die beste Hobbykamera auf dem Markt. Das Original Braun Ladegerat ist dabei, aber keine Akkus. Daher konnte die Funktion der Kamera nicht uberpruft werden. Ich verkaufe sie daher ausdrucklich als defekt.Die Deutsche Betriebsanleitung (Kopie) bezieht sich auf ein Modell mit fast gleichen Funktionen. Auf super8wiki. com gibt es weitere Details und das Englische Manual fur die Nizo Professional kann als Zip-File (3,2MB) runtergeladen werden.Siehe Fotos.Fur die Funktion kann keinerlei Gewahrleistung ubernommen werden.Bitte auch meine anderen Auktionen beachten. Shipping Terms:I only ship to selected countries (see shipping).Please don't bid if you’re located outside these countries. Hinweise zum vorzeitigem Abbruch meiner Auktion bei eBay: Mein durch diese Auktion erstelltes Verkaufsangebot ist unverbindlich: Ich behalte mir das Recht vor, diese Auktion vorzeitig ohne Angabe von Grunden jederzeit zu beenden. Im Falle der vorzeitigen Beendigung meiner Auktion kommt mit dem Hochstbietenden kein Kaufvertrag zustande. Bitte bieten Sie nicht, wenn Sie mit dieser Bestimmung nicht ausdrucklich einverstanden sind. Der automatische Assistent fur nicht bezahlte Artikel eroffnet nach 8 Tagen in meinem Namen einen Ebay Fall wegen nicht erhaltener Zahlung.Bitte bieten Sie nicht, wenn Sie mit dieser Bestimmung nicht ausdrucklich einverstanden sind. Dies ist eine Privatauktion, daher keine Gewahrleistung nach EU Recht.Funktion konnte nicht gepruft werden., Marke: Braun, Modell: Nizo Professional, Herstellernummer: nicht zutreffend, Herstellungsland und -region: Deutschland You are the light of the world. The product portfolio included high-fidelity audio and record players, electric shavers, mixers, pocket calculators, slide projectors, and Super 8 film cameras. In 1962 Nizo was facing bankruptcy, but luckily, Braun saved Nizo by acquiring the company. In 1965, the Nizo S 8 was presented, designed by Robert Oberheim. Its successor, the 1968 Nizo S 80 was acquired for the collection of the Museum of Modern Art in New York. For almost two decades, the design of the various cameras basically stayed the same: the clean geometric shape consisted of the main housing made of matte-polished anodized aluminum, the lens, and a black plastic handgrip. The Nizo S 800 of the early 1970s was the first Nizo that was also available in black. In 1980, Nizo is sold to the competitor Bauer, and in 1982, the factory was closed. The camera is still fully functional and will be used by VernissageTV for the coverage of selected events. The old stuff The risks associated with buying these are two-fold: You don’t definitively know how the film has been stored since purchase, which is a problem because humidity, pressure and temperature (not to mention magnetism and light exposure) all have an impact on the film itself. Each roll, even if it’s the same stock, will vary greatly depending on how it’s been kept. This means that if you wanted to shoot two rolls for a job, you can’t be certain that they’ll both come out the same. If you are going to go down this route, there’s some good advice out there in terms of questions to ask the previous owner about how they’ve kept the film. Martin Baumgartner, an industry rep and user of Cinematography.com, says the following: “Film that is to be used within 1 to 3 months can be stored at room temperature, but KODAK and other manufacturers recommend storage at 55F or less for film being stored 1 to 6 months. Longer than 6 months, it should be refridgerated, and longer than a year, it should be stored frozen. Get good quality ziplock freezer bags, evacuate as much air out of the bags as you can before you zip them up. Also, if you can do this in an environment at less than 60 Relative Humidity, that will help. Off you go! Do your best to calculate how much film you’ll need to shoot your project before you start, and stick to it. Ration it out accordingly. If you’re shooting a documentary, you’re likely to need a LOT more film than if you’re shooting a short film or lifestyle commercial. All I can really say about shooting on Super 8, or any film, is that it isn’t limitless and it can’t be overwritten. Be frugal, and keep an eye on the reel counter. Similarly, try to keep an eye on your exposure. If you underexpose, however—even by a stop—you’ve bought a one-way ticket to board the grain train and there ain’t no coming back. Development and processing First thing’s first, you need to get your spent cartridge out of the camera and post it off to a developer. As I mentioned above, I use on8mi.com, who offer a variety of tiered pricing options dependent on turn-around speed and your development preferences. I’m fairly sure that they send it off to Germany to be chemically developed, and then do the digitisation themselves. Either way, they do a great job. Push or pull? When you send your film off, you can attach a note to the developer informing them of how you’d like your film treated. This works well if you’ve shot the whole reel purposefully under or overexposed by a stop, as they’ll be able to perform this correction chemically. I don’t think this can be done on a shot-by-shot or scene-by-scene basis, so make sure you’re happy for your whole reel to be affected. Resolution Once your film’s been chemically developed, it has to be processed. This involves scanning the developed reel and digitising it. There are more decisions to be made at this stage. First of all, you need to decide which resolution you’d like to have your film scanned at. Personally, I don’t think there’s much use in scanning Super 8 film above 2.6k, as each frame is only 8mm in size, so you don’t get too much additional benefit by having a 4k scan unless you plan on really punching in, which would increase the size of your grain. On8mil.com offer a 1.5, 2.6 and 4K scan of Super 8. Frame Rate If you shot at 18fps and you have your film scanned at 25fps, it will play back fast. If you shot at 50fps and have it scanned at 25fps, it will play back slow. If you match your scanned frame rate to the frame rate you shot at, it’ll playback in real time. The choice is yours. That’s what I’d describe as “full hipster”. From there, you just choose what you want to lose, all the way down to a cropped scan, which is just the exposed frame itself. Colour Correction Lastly, you get the choice of whether or not you’d like the bloke at On8mil to give your film some colour correction and exposure correction before sending it back to you.