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The manual No part of this publication may be reproduced in any form Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page. Also use the knobs in the following situations. The SP-303’s internal Bank A or B is selected by pressing A or B. Press C or D to select Bank C or D on the memory card. If using some other make of connection cable, please note the following precautions. To hear sound, either connect an amplifier and speakers or use headphones. Refer to the following diagram and connect the SP-303 to the other equipment. fig.Q01 AC Adaptor. Let’s listen to these samples. What is a sample? A sample is a piece of sampled sound (a “waveform”) together with various settings that determine how it can be played during a performance, which has been assigned to a pad. Here’s how to try out these effects and hear what they can do.Such a sequential arrangement of performed samples is called a “pattern.” At the factory settings, a demo pattern is assigned to Pad 1 in Pattern Bank A. If you attempt to sample, delete, record patterns, or carry out other such operations while Protect is left on, “Prt” appears in the display, and no further operations are permitted. The pad will remain lit while the sample is playing. The pad most recently pressed to play a sample is called the “current pad.”. Thankfully, though, a simple procedure you can use when applying an effect to all of the pads has been provided. Adjusts the cutoff frequency. Cuts the high frequencies and adds distortion.Sets the tape speed. 3. CHORUS DEPTH (dPt) Adds spaciousness and depth to Sets the depth of the chorus. Adjusts the tone of the hissing noise. 16. RADIO TUNING TUNING (tun) Reproduces the sound being Adjusts the degree of noise that played on the radio. You can set the cycle to one measure, one-half measure, one-quarter measure, or one-eighth measure according to the CTRL 2 knob position. http://sunwoodrealestate.com/sunwood/img/userfiles/boston-acoustics-pro60se-manual.xml

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This is convenient when you wish to begin sampling from the introduction of a song. Making Samples with Effects Added (Resampling) With the SP-303, you can play back a sample that has effects added to it, and then sample that sound, which is then handled as a new sample. This process is called “resampling.”. The bank buttons and pads that are available for holding samples then blink. Note that sufficient memory is needed particularly on the memory card. Turning off the power at this point may result in corruption of data not only in the sample that was being deleted, but in other samples as well. Checking the Remaining Sampling Time To check the remaining available sampling time, do the. Please be aware of this fact beforehand.The pad will light, and the sample will sound. The pad will light, and the sample will sound.By deleting (Truncating) these portions, you can make more efficient use of memory. fig.r04-20 Beginning of sample unwanted Start point the portion which is played back Truncate fig.r04-21 1. If you want to halve the displayed value, turn the knob to the left; turn the knob to the right if you want to double the value. Pattern Banks A and B are the SP-303’s own internal banks, and Pattern Banks C and D are banks stored on memory cards. The tempo (BPM) of a pattern appears in the display. 8. While listening to the metronome, turn the CTRL 2 (BPM) knob to adjust the pattern's tempo.This operation is called Sample Load. When this operation is performed, the internal data of the SP-303 will be overwritten. Be sure to make a backup of important data before you do this. fig.r06-06 1. This operation is called Pattern Load. Be sure to make a backup of important data before you do this. fig.r06-08 1. If the MIDI keyboard’s Transmit channel cannot be set to 1, then you must change the SP-303’s Receive channel in order to match the MIDI keyboard’s channel. In such instances, you can use the following procedure to turn off synchronization of the tempo. http://www.altronic.pl/!mag2011/userfiles/boston-acoustics-rc620-installation-manual.xml

Using the SP-303 With a Rhythm Machine Synchronizing the Performance of the SP-303’s Patterns with a Rhythm Machine’s Tempo. Pad 1: Kick Pad 2: Snare Pad 3:. For example, here is how to have the SP-303 play instead of a MIDI sound module’s Part 1. Using the SP-303 With a Turntable Adding Effects to the Turntable Sound This describes the procedure for adding effects with the SP-303 to the sound from turntables, DJ mixers, and such devices. Connections fig.r08-09 Turntable 1. Connections fig.r08-10 Turntable 1. Set the DJ mixer’s Fader to the SP-303 position. If this does not resolve the problem, contact a nearby Roland service center or your dealer. Problems With the Sound. Problems With Memory Cards Data Cannot Be Saved Correctly to. Is the external MIDI device’s tempo set beyond the tempo range to which the SP-303 can be synchronized. Synchronization beyond this range cannot be assured. Initialize the internal memory (p. 68). Writing data to or reading data from the memory card failed. If you should require this publication (such as when you intend to carry out byte-level programming), please contact the nearest Roland Service Center or authorized Roland distributor. Mode 2: OMNI ON, MONO. For sampling and effects processing anytime, any place, the SP-303 can't be beat.Onboard sampling time expandable via optional SmartMedia cards. DJ-friendly operation via large, luminous sample pads and three knobs Realtime pattern sequencer with quantize function for easy song creation. Selectable Gate, Loop and Reverse triggering of samples. All trademarks are property of their respective owners.Up to eight mono samples may be triggered at once—even when sampling using the “Standard” 44.1kHz recording mode. Two additional modes are provided for additional sampling time or to create “Lo-fi” effects. New Pattern Sequencer An onboard pattern sequencer makes creating songs from loops and phrases easy. http://www.drupalitalia.org/node/72309

Just select the length (up to 99 measures) and play along to the internal metronome. A quantize function corrects your timing, making it possible to create drum patterns by sampling individual sounds to the pads. And unlike the limited memory of other phrase samplers, the SP-303’s sequencer can store up 7,500 notes. 26 Killer Effects Not just a sampler, but a full-blown effects processor, the SP-303 includes 26 professional effects like reverb, flanger, delay, and Voice Transformer—plus wicked distortion, filter, Slicer, Isolator, Lo-Fi, and Vinyl Simulator algorithms for twisting your sound to the extreme. Best of all, these effects can be applied to multiple samples simultaneously or live input signals. Resampling and More Once you’ve found the perfect effect, you can resample the sound to a new pad. This makes it possible to get even more out of the EF-303’s effects section. And adjusting effect parameters such as filter cutoff, delay time or modulation depth, for example, is as simple as twisting a knob.Note to Mac Users: You will need the UPD SMF Update Application if you do not have access to a sequencer program. Note to PC users: You will need the PC SMF Update Application if you do not have access to a sequencer program. The manual should be saved and kept on hand as a convenient reference. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. Next Page 2: USING THE UNIT SAFELY USING THE UNIT SAFELYPage 4 Contents. USING THE UNIT SAFELY. 2 Chapter 3. Sampling.27Page 5 Contents. Chapter 5. Chapter 7. Using the SP-303. Recording Sample Performances With Other MIDI Devices.53Page 6: Main Features Main Features. High-Capacity Memory Cards (SmartMedia) Resampling? No ProblemPage 7: Panel Descriptions Panel DescriptionsThis switches the SP-303. http://gemabazan.com/images/boss-sp-505-manual.pdf

Page 9 Panel DescriptionsPage 10: IMPORTANT NOTES IMPORTANT NOTESPage 11: QUICK START QUICK START. Making Connections. The SP-303 does not contain an amp or speaker. Page 12 QUICK START. Turning On the Power Turning Off the Power. Once the connections have been completed (p. 11), turn. Page 13 QUICK STARTTry Playing a Pattern 2. Press pad 1.Page 16 QUICK START. Sampling Your Own Sounds 1. Refer to p. 11 for instructions on connecting CD andPage 18: Chapter 1. Playing Samples Chapter 1. Playing SamplesPage 19 Chapter 1. Playing Samples. Having a Sample Continue to Play Playing Sounds Input From ExternalEven When. Page 20 Chapter 1. Playing Samples. Adjusting the Volume of the. External Input Sounds. If excessive input volume levels causes the. Page 21: Chapter 2. Using the Effects Chapter 2. Using the Effects. The SP-303 features twenty-six internal effects, so you canTurning Effects On and Off Rapidly Applying Effects to MultipleWhen. Page 23 Chapter 2. Using the Effects. Applying Effects to All. Samples Simultaneously. If you want an effect to be applied. Page 24 Chapter 2. Using the Effects. Effects List. Effects That Can Be Selected Directly With the Effects ButtonsGives the sound a. Page 27 Chapter 2. Using the EffectsYou can set the. Page 28: Chapter 3. Sampling Chapter 3. SamplingPage 29 Chapter 3. Sampling. In this case,. Page 30 Chapter 3. SamplingPage 31 Chapter 3. Sampling. Page 32 Chapter 3. SamplingPage 33 Chapter 3. SamplingPage 34 Chapter 3. SamplingDeleting All Samples Together Changing the Assignment of. You can delete all samples from the SP-303’s. Page 36 Chapter 3. SamplingPage 37: Chapter 4. Changing the Sampling Settings Chapter 4. Changing the Sampling SettingsSetting the Sample Volume Preventing Unneeded. With the SP-303, you can set the. Page 40 Chapter 4. Changing the Sampling SettingsPage 42 Chapter 4. Changing the Sampling Settings. Page 43 Chapter 4. https://dipinkrishna.com/wp-content/plugins/formcraft/file-upload/server/content/files/162738aa05c9df---brisbane-manual-driving-lessons.pdf

Changing the Sampling SettingsBy recording the processes of playing samples as patterns,Page 46 Chapter 5. Recording Sample Performances (Pattern Sequencer). Erasing the Data for Mistakes in The dots blink in the display. Page 48 Chapter 5. Recording Sample Performances (Pattern Sequencer). Deleting All Patterns Together Changing the Assignment of. You can delete all. Page 49: Chapter 6. Using Memory Cards Chapter 6. Using Memory Cards. You can use commercially available SmartMedia cards asPage 50 Chapter 6. Using Memory Cards. Initializing Memory Cards Saving Samples to MemoryBefore the SP-303. Page 51 Chapter 6. Using Memory CardsPage 54: Chapter 7. Using the SP-303 With Other MIDI Devices Chapter 7. Using the SP-303 With Other MIDI DevicesPage 55 Chapter 7. Using the SP-303 With Other MIDI DevicesPage 58 Chapter 7. Using the SP-303 With Other MIDI Devices. Page 59 Chapter 7. Using the SP-303 With Other MIDI DevicesPage 60: Chapter 8. Examples of Using the SP-303 Chapter 8. Examples of Using the SP-303. Using Pattern Sequencer to Create a Rhythm Pattern. Now let’s create a. Page 61 Chapter 8. Examples of Using the SP-303Page 62 Chapter 8. Examples of Using the SP-303. Using the SP-303 with MIDI Devices. When using a MIDI sound module. Page 63 Chapter 8. Examples of Using the SP-303. Page 64 Chapter 8. Examples of Using the SP-303. Playing a Sample Along With the Sound From a Turntable. Here is. Page 65: Appendices Appendices. Chart of Operations. Aim Operation. Page 66 Appendices. Page 67 Appendices. Troubleshooting. If the SP-303 does not function as you expect, please check the following points before assuming that a. Page 68 AppendicesMessage ListPage 71 AppendicesIn the process of making settings for. Page 72 Appendices. MIDI Implementation ChartSpecifications. SP-303: Dr. SampleA Lo-Fi Sampling. 27. AiF. 52, 70 LONG. 27. AIFF File. 52 Loop Playback. Page 75 Index. Stereo Sampling. 27Tempo. Page 76 For the U.K. www.dataloggerthai.com/ckfinder/userfiles/files/canon-manuals-for-printers.pdf

No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. To hear sound, either connect an amplifier and speakers or use headphones. Here ’ s how to try out these effects and hear what they can do. The pad will remain lit while the sample is playing. The pad most recently pressed to play a sample is called the “ current pad. ” The settings information for the current pad is indicated on the panel. Adjusts the quality of the r everb. In this case, after sampling stops, the sound just sampled is played back automatically. When the input from the LINE IN or MIC rises above the sampling start level, sampling will start. Turning off the power at this point may result in corruption of data not only in the sample that was being deleted, but in other samples as well. Please be aware of this fact beforehand. The pad will light, and the sample will sound. The tempo (BPM) of a pattern appears in the display. 8. While listening to the metronome, turn the CTRL 2 (BPM) knob to adjust the pattern's tempo. This may result in damage to the memory card and corruption of data in the internal memory. The dots in the display blink while the save is in progress. When the dots stop blinking and remain off, the save is completed. With MIDI, you can use the SP-303 to play data from a sequencer, keyboard, or other MIDI device. The specified pattern begins playing in sync with the MIDI sequencer. The specified pattern begins playing in sync with the rhythm machine. Connections fig.r08-10 1. Set the DJ mixer’s Fader to the SP-303 position. 2. Press the pad on the SP-303. If this does not resolve the problem, contact a nearby Roland service center or your dealer. Could insufficient memory be the problem? ? “ FuL ” is displayed if you try to sample when there is not enough available memory. The sample data is corrupted. Internal memory protection is on; samples and patterns cannot be recorded or deleted. Turn the Protect switch off. (p. 16) ? {-Variable.fc_1_url-

A write protect sticker has been affixed to this memory card; you cannot sample, record or erase patterns, nor save anything onto it. Also, you will not be able to format the card. Internal Memory Samples: 16 (8 samples x 2 banks) Patterns: 16 (8 patterns x 2 banks). For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. These samplers are becoming rare with the prices rising quickly as stocks diminish. This is the real thing!!! All of my items are sold as is so please ask any questions before bidding for t are no returns no matter what. Payment must be received within 7 days of completed auction, then items will be delivered as soon as payment is received. Not responsible for lost, stolen or damaged items if you decided against buying insurance. Also not responsible for out of country duties or taxes. USPS MO's are the preferred payment, but PAYPAL is also accepted. Check out my other items and save on shipping. Look at my feedback and bid with confidence. Definitely a step up from theCreate songs fromThere are 26 effects likeLo-Fi, and Vinyl Simulator plus filter Cutoff and Resonance. The. Resample feature allows you to make new samples of your sounds with theFrom Future Music CD issue 110. Something went wrong. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Condition is Very Good. Thanks! Shipped with USPS Media Mail. High amount of views. 1 sold, 0 available. More High amount of views. 1 sold, 0 available. You are the light of the world. Register your product and stay up-to-date with the latest warranty information. The SP-404’s sleek, silver look is new to the SP family, and it surpasses its predecessor by offering battery-power compatibility, a CompactFlash slot, and a built-in microphone for quick, stress-free sampling sessions. Just turn it on, aim, and record — no cables and mics to connect. http://kaplanpm.com/wp-content/plugins/formcraft/file-upload/server/content/files/162738ac19b574---brisk-air-manual.pdf

Then get down to the business of making beats and patterns, and add extra color with the great effects built into this little powerhouse. Even with all the bonus features, the SP-404 is still amazingly affordable. The sampling and playback quality of this instrument, affordable as it is, is crystal-clear Compact Disc-grade. Fear not, lo-fi lovers — the SP-404 also provides a Lo-Fi sampling mode, so you can scorch, roast, and crunch your audio if desired. This easy-to-use sequencer allows up to 8,000 notes to be recorded in real time. For perfect playback, your pattern data can be quantized to the note value of your choice. On CompactFlash cards, you can save 96 additional patterns with 8,000 notes of recording capacity per card. The SP-404 can house up to 24 samples in memory simultaneously. On CompactFlash cards, you can store up to 96 samples; if you use a 1GB CompactFlash card, sampling times can be as long as 772 minutes (!) in Lo-Fi mode, or up to 386 minutes long in Standard mode. The SP-404 provides sample-editing tools for setting start and end points, adjusting levels, and more. Shake the walls with Subsonic. Drive the dancefloor wild with the BPM Looper (grab a region on the fly and loop it) and DJFX Looper (change speed and reverse audio to get a turntable scratch-like sound). Also offered: reverb, flanger, delay, Voice Transformer, distortion, filter, Slicer, Isolator, Vinyl Simulator, and more. Best of all, the SP-404’s effects can be applied to multiple samples simultaneously or live input signals. You can also select the multieffects directly by pressing the MFX button and the corresponding pad at the same time. Just aim, point, and record. If you want to sample pre-recorded sounds, simply connect your CD player or sound source to the SP-404’s line input jacks (L, R) and sample away. For playback, the SP-404 offers line outputs (L, R) as well as a headphone output for privacy. A MIDI input connector is provided for controlling the SP-404 externally. www.dantizuma.com/files/files/canon-manuals-download.pdf

You can even import WAV and AIF files into the SP-404 via CompactFlash, and vice versa. CF cards are handy, reliable, and readily available on the mass market. This update resolves a.wav file export issue where the length of the exported sample was incorrect. The downloaded file is compressed as a.zip file and will need to be unzipped using either WinZip on a Windows PC or StuffIt on a Macintosh. If you need, you can get WinZip from the following link: If you need, you can get Stuffit Expander from the following link: Windows users can use WinZip to uncompress the file. Macintosh users can us Stuffit Expander to uncompress the file.You can also contact our Product Support department by phone or email. In addition, we have a library of Owner’s Manuals and Support Documents that you can download and reference. Dr. Sample SP-303 Recording Equipment pdf manual download. Roland Owner's Manual network adapter SP-303. Dr. Sample SP-303 Recording Equipment pdf manual download. Cookies help us improve performance, enhance user experience and deliver our services. Boss SP-202 Dr Sample. Sp-303 Dr. Sample BOSS. PDF Download:. from PDF Ebook Library BOSS DR SAMPLE SP 303 MANUAL Read Download BOSS It is a Power on while holding down MANUAL, then press ENTER: A-220.. DR-3: Press EDIT. Micro-Chopping The Roland SP-303.More references related to korg sp 200 pdf Stihl Ms 051 Owner Manual Oxford Handbook Of Neurology. Collection welcome from my lock up at Big Yellow Storage Staples Corner North London. I’m also often up in Altrincham Greater Manchester so if that’s more convenient for you I’m happy to meet you there if you’re willing to wait. Plenty of online reviews and information on this cool little thing. If you want to run samples live then it’s a perfect solution. Check out my other auctions, I’m selling loads of gear. Any questions or inspections welcome. Good luck, Dave. You are the light of the world. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.A pattern can be recorded in realtime, or entered step-by-step. Each voice can be adjusted for Accent (values 0-5) and volume (values 0-5).Tempo can be manually adjusted between 40 and 250 bpm.The DR-220 can also accept control from other devices such as a sequencer or trigger pad.The plastic case is charcoal-gray.The plastic case is matte silver.The MkII version had access to 91 16-bit drum sounds, allowing the user to control parameters of each sample such as decay length and filtering. It had 64 preset patterns and room for 64 user-created patterns. The DR-550 was limited by no ability to store its patterns externally, except by recording the data to a cassette tape.By using this site, you agree to the Terms of Use and Privacy Policy. Learn more Someone suggested to me that B could stand for internal battery, which is a reasonable assumption, but the issue with that is that particular model does not contain an internal battery. I'm fairly certain the 404 has an internal battery, but I'm almost completely positive that the 303 doesn't. I've tried the factory reset sequence, tried different power supplies, and I've scoured the Internet for answers but I have not come across a solution. I've had this unit for over a decade so it's no surprise, and I know with time these things happen. But I love the Doctor and I'd like to continue using it. Not to mention that they are hard-to-find and I really don't feel like replacing it. Anyone out there ever have this issue? HELP!?I will try the os re-install though. I couldn't find anything in the manual about this issue. Thanks for posting one anyway!Memorials, RIPs and Obituaries Grove Park, Maidenhead, Berkshire SL6 3LW.Hosted by Nimbus Hosting. Check the heading on this page:To receive automated replies be sure to add a valid email address! It was thrown in by the music shop when I bought a Juno-6 and a bun.Highly recommended for studio use, DJ, or. I'd like to find a RCL10 and a RPQ10 somewhe.I Haven't used it in the past few years, But I did Like it! I could.One fixed price delivery for most items. I've been playing samples and playing around with the effects for a while. Doesn't matter what I do, its completely random. I have looked over both PCBs and they're ok. Can't see any cracks. None of the capacitors are bulging, no diodes, transistors overheated or shorted. I am powering it from my variable bench PSU at exactly 9VDC. If anyone has one, please could you PM me. Did you find this forum helpful. Anyway my friend tells me there's no way to save sounds or sequences on this thing?!? I have trouble believing that, can someone tell me how to save on this thing so I know before I get it this Saturday. I see it's an SM card, I assume there's a disk menu like an MPC or something? I enjoyed creating songs with it, though it takes awhile but it can be done. I could see how this machine is geared towards looping or making beats with lots of 1 hits. Like sample a drum break at the speed you want your song then add 2 or 3 one hit samples. From what I can tell the sequencer works on only 1 track like the SP1200 and you delete in a similar way as the SP1200. I remember when I switched from software to the 2000 classic I had to train my ear more because there was no monitoring while you sample, no playing sequences while you browse samples, and no time stretch which I used to do alot. Yet many samplers on the market either lack professional features or are prohibitively expensive for the DJ on a budget. With this in mind, BOSS introduces the SP-202 Dr. Sample—the most affordable, easy-to-use, feature-packed sampler on the market. Period. Similar capabilties can be found in the SP-303 Dr. Sample. Products and names mentioned are the property of their respective owners. Privacy Policy This page is part of GeneralManual.Com Network Boss SP-202 Dr. Sample User Manual. RSS. However it works just fine with Single samples, ROM samples and non-looping percussion sounds. DOUBLING UP There is a bank of 26 effects (see box) at your disposal and although you can only use one effect at a time the built-in resampling feature means you can easily transfer effected samples (individually or in groups) to empty pads as many times as you like, changing or adding further effects as RAM permits. Effects can also be applied to a whole bank or just to individual pads. The effects are fine as budget effects go and are in fact identical to those in the SP-303. There is a varied selection including an authentic sounding tape delay and a BPM synced DDL. The reverb is OK, if a bit boxy and there are a few good filters, distortions and ring modulator patches. Annoyingly, and just as with the SP-303, effects settings are not saved with your patterns or songs. Though a useful trick is that the sample pads also double as shortcut buttons for selecting the first 16 effects. The ROM samples are of a pretty high standard but the patterns seem almost like an afterthought. All is not lost though as they can be copied into empty user patterns and modified to your own wicked ways. SWINGS AND ROUNDABOUTS The sequencer can store 100 user patterns (plus the 40 presets) and these can be arranged into 20 songs. Each pattern can have up to four parts (each part has a dedicated mute button) which are shared across 8 samples. So you could have, for instance, a BD and SD in part 1, hi-hats and percussion in part 2, synth and bass in part 3 and loops, beats or vocal phrases in part 4. You just need to remember the 8-note polyphony limit, which is divided by two if you are using stereo samples. Recording rhythm patterns is straightforward, first you select an empty user pattern, then hit the record button and the SP-505 simultaneously drops into record standby mode, the metronome begins clicking and the Pattern Play screen pops up to give you options for setting the BPM, number of measures and time signature. At this point you can either practice your rhythmic skills along with the metronome or press the Play button to drop into Record mode. The LCD and metronome now give you a one bar countdown before recording starts, which then continues in loop record mode until you press stop. However, it’s not until you are in recording mode that a small icon pops up allowing you to adjust the quantise values (8 types and OFF) for the pads and the Part you are recording into. You can switch between Parts while recording, adjusting quantise values as you need. One small niggle is that the metronome can’t be muted. Editing patterns is carried out using the MICRO function, which displays a list of recorded events. You can edit timing, level and gate length and notes can be deleted or inserted into the list. You can also edit a pattern while a track is either playing or stopped. TAKEN TO THE LIMIT Songs are put together using a similar list view, by either dialling up patterns using the data wheel or selecting them using the sample pads (although only from the first 16 patterns if using the pads). Patterns can be inserted and deleted but there is no option to set a pattern to repeat before it moves to the next, which makes song construction a little repetitive and laborious. Editing previously recorded Songs is almost identical to pattern editing using a similar list menu, all very logical. There is an upper limit of approximately 15,000 sequencer events (shared by patterns and songs) which should be enough for most users. Well it had better be as I could find no way (or mention of in the instruction manual) to save or load pattern or song data via MIDI system exclusive. However, it is possible to save and load patterns and songs (and samples) onto SmartMedia cards. The SP-505 sequencer is a bit of an oddity as it only records in realtime and I was a little surprised in finding no step-time recording option. It’s even more unusual considering it has so many TR808 and TR909 drum samples and a classic 16 pad drum machine layout. MINI MIDI High spec MIDI support is not one on the SP-505’s strong points but basic functionality and various synchronisation options are catered for. The pad samples also respond to key velocity when triggered from an external MIDI keyboard or sequencer. What it won’t do is let you play a sample chromatically across a MIDI keyboard. Admittedly Boss have introduced the sample PITCH feature which allows you to remap a sample across one of the dedicated Pitch Banks but as this is a form of multi-sampling it uses valuable RAM in the process, and isn’t quite the same as playing a specific sample across a keyboard anyway. Boss would probably argue that the SP-505 is a phrase sampler so doesn’t need this feature, which is technically true but I still find it a puzzling omission in a sampler. It can’t be that difficult to implement can it. THE FAST AND FURIOUS After spending a couple of weeks using the SP-505 I found my fingers flying around it like a demon. If there is one area it excels at it’s in sampling and getting arrangements worked out fast before you loose the moment. There’s no booting up to slow down the creative juices and sampling (and resampling) is always available on tap thanks to the widespread use of dedicated buttons. This also applies to the sequencer which is ready to record patterns and songs in a matter of seconds. Audio quality at the Standard setting is about as close to CD quality as you can get. The Long audio mode is sufficient for non-critical sounds and loops and the LoFi mode is very useful for extreme grunge effects. But what don’t I like about the SP-505.